Some fotos:
St. Dominic’s Catholic Church, San Francisco
Stained Glass
Saint Dominic?
Valdez Rehearsing
Foyer Music by Paolo and friend
Closing Remarks: Blaine, Steve and Valdez
Our Celebrity MCs: Fernando and Greg, with Valdez and Diana

Pianists Davide Verotta and Verna Lim
We had much better attendance this time and a very ambitious program which started to run overtime from the beginning and had to be cut short at the end. I was almost unaware of Davide Verotta, who opened with a Beethoven sonata, and of Sara Klotz who, I think, sang together with her husband (I was in the narthex selling raffle tickets with Diana) and barely noticed Wendy and Andrew who reprised “Suddenly Seymour.” Two performers from the Youth Orchestra: Alex Lee on viola this time (a Brahms Hungarian Dance), and Lily Sham, whom we haven’t heard, a bassoonist! The Lollipop Guild of the SF Gay Men’s Chorus (whom I remembered with delight from the Northbrae opener) didn’t seem all that fresh and exciting this time. It may have been the accoustics in that enormous space. But Carlo sounded great (I hope he’s going to contact my teacher Mark, because I think he has a voice worth developing, but he says he’s buried in his law studies—the singing is of course a sideline). We had a brief conversation concerning the endorsement of same-sex marriage by the Calif. Supreme Court this week (he was studying the opinion); he concurs with my sense that it’s going to be difficult to overturn, even through an amendment initiative, because it reaffirms fundamental guarantees of equal rights. It’s much more than a victory for the gay community (although I can sympathize with the personal reaction: “good, now we can really get married”). It’s a victory for our civil liberties and for Constitutional principles which are hard beset these days by the radical reactionaries. But I digress! Camille Hudson sang powerfully, then Valdez finally had his chance to play his big Liszt piece (“Pensée des Morts”). I have less and less sympathy for Liszt; it all sounds like empty posing to me and lots of virtuoso excess, and much too long. But those qualities impress a lot of people. I will admit V. played with feeling and power, and accuracy, gave the piece a fair chance. After intermission the Schubert duet performed by Valdez and Verna went well. But we started feeling the time pressure; Yolanda Harden who was going to sing a big aria (from Le Cid) went back to her spiritual instead, and Valdez had to forego his second Liszt exhibition. The Lollipop Guild insisted on finishing all three of their scheduled selections (not too cooperative) and also talked for a long time about their mission. The Eusebius Duo (Monika Gruber, violin, and Hillary Nordwell, piano) graciously consented to play only the first movement of the Brahms sonata (Op. 78). Now Brahms! I sometimes think I must be “channeling” him, I feel so in tune with his music. But this was the musical high point of the evening: beautiful playing of a breathtakingly beautiful piece. What a shame we didn’t get to hear it all! Davide quickly played one of his Debussy Etudes. And I didn’t get to sing at all! Actually this had been anticipated, and I had declared myself (reluctantly) willing to yield if need be. But I had really been looking forward to closing the program and the concert series by joining Valdez in one of “our” numbers from times before. Valdez presented me as an ALC rider and gave me credit again for the idea of a concert series, and that was nice but not quite the same thing. Anyway and all in all, the finale was a big success and Valdez (again) and Blaine deserve enormous applause for organizing it all and bringing it off, with all its little flaws. We’re looking ahead to putting the concerts on the map next year.


























